Written by On Eshal, a review: Clarissa Dalloway meets the twitchy witchy girl in the often confused, often endearing narrative following the misadventures of one Eshal Saleem. Freedom songs, flights of fancy and foolhardy notions preoccupy the minds of this (self-proclaimed) ‘prodigal’ pastel prima donna, as she attempts to versify the mundane into the extraordinary. Her illicit tryst with a pen and paper lead to her (more often than not) falling flat on her face, though. Recommended for pure guilty pleasure and a sometimes absorbing read. Three stars out of five. Rated PG-13 for inappropriate material. Read more by this writer |
Milki planted a fistful of threadlike tresses split ends and swan songs and in this bone orchard may they sprout an obedient daughter from the womb of an earth soiled saffron a proper daughter. when your lips press against her cheek what will she taste like – blackberry flavored with copper some salt, perhaps, from the oceans I have carried within eyes that could never be the right shade of brown
she will have drunk the milk of my suffering i wonder then, will you scratch clean its blackened residue from her chin, her mouth her everywhere; ten years of salem witch trials, convictions executions; as swiftly as you unmade me – will you notice the lump on her left breast – the cancer of four-post pillage that ate my spirit whole no you will dress her up and send her back to the man who will play mandolin with your hand-me-down every night as you sip your chai and listen to Gulzar’s poetry and other pretty things on the radio.
i will have stolen her voice so you will not hear of his tone-deaf odyssey silence will replace slaughter so prop your feet up, and still your heart, mother
your work here is done.
‘a few witches burning gets a little toasty here i gotta find, find, find why you always go, when the wind blows’ Tori Amos, ‘God’
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