Pakistan Today feature on DWL and Papercuts

We got some fantastic coverage recently in Pakistan Today, the country’s fastest growing English newspaper. Aamer Dhamani, sub-editor at PT, interviewed a number of our team members about DWL, what it has meant to us over the years and why the heck we love it so much. He also read Papercuts as part of his research and said the BEST things about it. Yeah, the DWL bug bit him too!

In print, the feature took up a whole page of the paper and sported a photo of our team members as well as an image of our Vol. 7 cover. The online version got 60 FB likes in less than a week, which is practically a miracle for art and culture pieces in Pakistani newspapers. It shows not only how much heart Aamer wrote this article with, but also points towards our increasing popularity and brand recognition.

Okay, enough bragging. Here’s the link to the online version of the feature! Enjoy. (And click on the FB like button if you know how totally awesome this is).

‘Papercuts’ rekindles joie de lire – Aamer Dhamani for Pakistan Today

DWL pilots its YouTube channel

Exciting news! We’ve just taken a significant step to cementing our online presence as an international writers’ community. With the soft launch of the new DWL/Papercuts channel on YouTube, we’re looking to reach out to a wider audience and to promote our writers in a more diverse manner.

The experience of reading something, be it a poem, story or article, totally changes with some context or perspective. Audio-visual content provides both. We hope that supporting A/V material will make the content more accessible, easier to interpret and more interesting for readers.

Just to clarify: this is a pilot. We’ve only put two videos up so far and are gauging the response to them. If people like the concept, we will launch the channel formally and improve the production quality. The videos will always have an ‘at home’ feel to them, though, because we want to keep them real and to represent the true essence of amateur writing.

Go to http://www.youtube.com/user/DesiWritersLounge to check out the channel. AND DON’T FORGET TO CLICK ON THE ‘LIKE’ BUTTON!

Delusions of grandeur

The first time we were going back to India after moving to the States, in the summer of ’97, my father declared that I was allowed one pair of jeans, one pair of sneakers and a shirt to travel in. My attire after landing in India was to be salwar kameezes, lenghas and long skirts. As a fifteen year old and a part of the 1.5 immigrant generation growing up in NYC, I cracked a few smart ass comments at my father’s dictate, but didn’t fight it too much. See, this wasn’t worth beating my already sore hands on the drums of teenagedom caught in the middle of the immigrant experience. I could mouth off to mom and dad, insist on my independence, rail against the stereotypes they attempted to impose on me and generally be an Indian version of the bratty American teen (where, really, my parents got off quite easy) all in the safety of my life in Queens. Being on Indian soil, however, wasn’t reality; it was vacation, where what happened in India, stayed in India. For a month or so while we visited family, I could play pretend and be the Sati Savitri type if that’s what my family wanted.

While in India, I never made an attempt to explain my life in NYC to my family members. Maybe it was sheer selfishness on my part of wanting to avoid the lectures on how I’m still Indian even though I live in America that came with opening up with my conservative family about my life in NYC. Staying general usually worked best: yes, school was good; yes, I still remember how to speak Kannada; yes, I do have Indian friends. I smiled a lot, I ate a lot, I wore what they wanted me to wear and I wrote in my journal a lot. I was polite, respectful and most of all, just plain quiet. We never discussed anything deep and certainly nothing related to sex, drugs and rock ‘n roll.

My writing, however, has never been quiet. I will break my personality into pieces for the various different compartments of my life, but my writing is one place where I live, whole and complete with total honesty. It never concerned me in the past that when I get published (yes, I said it – when, dammit, when), as a creative non-fiction writer, I would be laying my life out for public consumption. With my immediate family, I began to hang the family’s dirty laundry out to dry starting at 16, so it would be nothing new to them. Everything else, I justified. My parents are so closeted about their lives that it’s not like their friends and acquaintances would recognize me as the child of someone they know. My extended family in India – well, I’ll just make sure the book never gets translated into Kannada and besides, how are one brown woman’s words ever going to travel across the ocean anyway? It’s tough enough getting published and being known locally.

What I hadn’t counted on was technology shortening the distance between my lived reality and the person I pretended to be to keep the peace with my extended family. Before, there were phone calls between NYC and India where surface words lay like sweet, sickly icing on top of a cake. Now, there are emails and Facebook updates between my life and my cousins’ in India. With the internet came Google and Facebook and off they ran, snatching my delusions that my writing and my life could be kept separate from my extended family in India.

While working with Noor to edit a short piece of mine for volume 7 of Papercuts, towards the end of the process, I realized I hadn’t changed one of the characters’ name. That realization broad-sided me as I realized I was telling quite an intimate tale that involved people other than myself. With Papercuts accessible online and subject to Google’s tentacles, there’s a possibility that my cousins in India would now have access to that part of me that I hid from them. (Sidenote: I’ve seen the re-designed website for Papercuts and it rocks. It’s shaped up to be quite a strong representation of the talent at Desi Writers Lounge. You all should be uber-excited!)

There was a brief moment where I considered breathing into a paper bag, but then the writer in me, the one who has always had the backbone, snarked, “Well, then you either better hope they never find it; hope that if they find it, they’ll understand; or if they read it and don’t understand, then you better get ready to deal with the fall out – because this story is getting told.” After another dirty look thrown at the hyperventilating pansy, the writer strode off to start penning the continuation of her story.

A Sombre Update

As an unimaginable disaster unfolds in Pakistan in the shape of massive floods, the Desi Writers Lounge community is planning an initiative to take part in the relief efforts as best as it can. We have several ideas brewing on the forums. Primarily we are focusing on ways to get the international community to take note of the horrific plight of millions of Pakistanis. The biggest source of distress right now is the weak response and media coverage internationally, and what that means in terms of aid money that is required urgently.

We have issued a call for articles and eye witness accounts from members based in Pakistan who have the means to visit relief camps and collection centers, which we intend to promote on international blogs and online publications. Another idea in the pipelines is that of a writing competition with an entrance fee in the form of a check made out to a specific relief organization (we have not decided which one yet). We are thinking of promoting this writing competition in universities outside of Pakistan, and roping in guest judges who are established authors and journalists.

These and other ideas are being discussed on the forums currently, and we would love to get feedback and input from you.

sincerely,
The Desi Writers Lounge Team